X = Xolotl and the Journey to the Underworld (Aztec Mythology)

We are pleased to participate in the A to Z Blog Challenge. The Story Crossroads theme for this year is “Death & Defiance: Folk & Fairy Tales Unburied.”

About Xolotl and the Journey to the Underworld:

In Aztec mythology, Xolotl—the dog-headed twin of Quetzalcoatl—faces the inevitable: Death. As the gods dismantle the old world, Xolotl resists. He transforms into a salamander, maize plant, and even an agave stalk to evade capture. Despite his cunning, fate closes in. Yet, his desperate defiance makes him a symbol of resistance against the cosmic order.

Xolotl reminds us: to defy death is to affirm life.

Symbolism and Themes:

Transformation as Defiance – Xolotl’s shape-shifting shows that change itself can be an act of survival.

Loyalty and Sacrifice – Though he flees, Xolotl ultimately helps his twin retrieve human bones, allowing life to begin again.

Inevitable Endings, Courageous Beginnings – Even when the end is certain, how we face it shapes what comes after.

50-word-or-less summary:

Xolotl, twin of Quetzalcoatl, helps retrieve human bones from the Underworld. When told to die, he refuses—transforming into a maize plant, agave, then an axolotl to hide. The gods discover him in a lake and strike him down. His delay buys time, and his death helps spark humanity’s rebirth.

Finding the Story:

Finding the Defiance:

Xolotl doesn’t accept death passively. Every transformation is a cry of “Not yet!” His efforts are not in vain—they ensure humanity’s survival. Xolotl embodies the fierce instinct to live, adapt, and hope, even when running seems futile.

He doesn’t surrender. He shifts. He struggles. He shapes the future.

Recommended Articles:

  • “Xolotl: The God of Lightning and Death” (Aztec Mythology Worldwide) – Xolotl, the Aztec god of lightning and death, embodies the profound duality of destruction and renewal, guiding souls through the underworld and symbolizing the eternal cycles of life, transformation, and rebirth.
  • “Dogs as guides for souls of the dead to Mictlan” (Mexicolore.co.uk) – In Aztec belief, specially chosen dogs—particularly the xoloitzcuintli—guided the souls of the dead across the treacherous river to Mictlan, the underworld, embodying loyalty and serving as essential psychopomps in funerary rituals.

More About Xolotl Tales (Bonus!):

  • In some versions, Xolotl’s transformations inspire the origins of certain animals and plants.
  • His connection to Venus (the evening star) ties him to cycles of death, rebirth, and navigation.
  • Dogs in Aztec belief systems were sacred companions to the dead, guided by Xolotl across dangerous rivers to the afterlife.
  • His fear of death humanizes him, offering a rare vulnerable glimpse among usually all-powerful gods.
  • Many articles and scholarly resources focus heavily on the dog aspect of Xolotl because it’s: the most consistent symbol across myths, central to his role in death and rebirth, reflected in real-world Aztec funerary practices. But, in this specific myth, the focus is on shapeshifting and resistance to fate, not his dog form.

Thoughts?

If you could transform at the edge of death, what would you become? A tree, a river, a bird? Is it cowardice to run—or wisdom to survive? How do the transformations we make in hard times echo acts of quiet heroism?

Share your thoughts in the comments! While you enjoy this blog, Story Crossroads has year-round offerings. See our popular links and upcoming events at our One-Stop.

As for our past A to Z Challenges…

While you enjoy this blog, Story Crossroads celebrates the 10th hybrid summit & festival on May 5–8, 2025 – yes, in-person and virtual – and would be honored for you to join us.

Thanks to funding from the National Endowment for the Arts; National Endowment for the Humanities; Creative West; Utah Division of Arts and Museums; Utah Humanities; City of Murray; Zoo, Arts & Parks (ZAP) of Salt Lake County; Salt Lake City Arts Council; Utah Storytelling Guild; and people like you.

Cap’s Off to You! – Melva Gifford (Posthumously) and Celebrating Story

Melva Gifford was a storyteller who carried worlds within her voice. Wherever she stood — a festival stage, a Toastmasters meeting, a friend’s cozy living room — the air changed. It quickened, sparked, and shimmered with possibility. “An event in herself,” as Devon and Mary Hokanson described her, Melva was more than a teller of tales; she was the story, embodying humor, heart, and heroism in every breath.

Melva Gifford was a quirky soul that I could always count on to be skilled, engaging, and full of laughs. Her creative spirit shone brightly in oral storytelling, written storytelling, and comedy alike. She was commissioned to write an article on humor for Story Crossroads Memberships entitled “Different Ways To Be Funny & What To Do About It.” Melva had a gift for teaching as much as telling — she co-taught with Kira Larkin for six weeks, once a week for an hour, at the Glendale Community Center, Mountain View Elementary, and Glendale Library. Her performances at the Story Crossroads Summit & Festival were always a delight, bringing that signature blend of heart and humor and usually a bit of history such as of Benjamin Franklin or of fascinating women who made a difference like Molly Pitcher, Sybil Ludington, and Deborah Sampson.

I always smiled when she used casual words like “cool” while praying to Heavenly Father, a sweet reminder that the Lord loves hearing from us in our truest voice. She had the kind of open, personal relationship with Him that we all would do well to strive for. Melva had a way of making you feel seen — she lovingly called me “kid” even as I moved through my mid-40s, a tradition that wrapped every conversation in warmth and laughter, the way only she could.

Melva was a lover of history and true tales of heroines and heroes, as well as a crafter of whimsical, wonderful worlds of her own making. Whether she was regaling listeners at Story Crossroads, spinning magic at the Weber State University Storytelling Festival, or turning a family gathering into a private performance, Melva lived to ignite wonder.

She was a fighter in the purest sense — not only of the battles her body bore in silence, but of the battles every storyteller faces: to be heard, to be believed, to stir a listener’s soul. Even when her health waned, Melva never wavered. “The audience interaction with us shouting out ‘Melva!’ made it a more memorable experience,” one committee remembered after seeing her perform. She kept walking, kept weaving her stories, with a twinkle in her eye and a sturdy walking stick tucked aside during performances. She poured all of herself onto the stage, each telling an act of fierce joy, defiance, and generosity.

Yet Melva’s stories did not end when the stage lights dimmed. Her friendships, too, were legends — enduring, colorful, and filled with laughter. As Martin Hillman wrote, she found a way to make even a bag of homegrown tomatoes or a freshly caught trout into a treasured ritual. Gary Horan remembered late-night pizzas and videos, and countless writers owe part of their journeys to Melva’s cheerleading and quick wit, especially at LTUE, where she became a keystone of the community. She was, as so many said, a “bright energy” who made every gathering richer, funnier, and more meaningful simply by being in the room.

Melva was patriotic, faithful, mischievous, and above all, unfailingly kind. She lived with a readiness to serve, quietly giving rides, lending a listening ear, offering up homemade jokes and outlandish tall tales as remedies for the heart. “You prayed like God was sitting right across from you,” Cathy Ford recalled, and truly, Melva’s connection to others felt that immediate, that sacred. She embraced every inch of life — from Mayan ruins to mall walks, from science fiction fandoms to red apple harvests — and made everyone feel welcome in her world.

Though we ache with missing her, Melva taught us that the truest stories never end. They are retold, reimagined, and relived every time we smile at a joke, chase a new idea, or find wonder in the ordinary. As William Boardman said, “Her eyes lit up when telling a story” — and if we close our eyes, we can still see that light. We will carry her laughter, her stories, and her spirit forward. Until we meet again, dear Melva, in that place where the best tales never grow old.

And somewhere right now, Melva is probably organizing a storytelling guild among the angels, sneaking an extra slice of celestial pie, and chuckling at how seriously the rest of us take things. She would surely remind us not to be too solemn — after all, what’s the point of eternity if you can’t laugh until your heavenly body aches?

If you have links to add – video, audio, articles – please share by emailing info@storycrossroads.org or commenting on this blog post.

You can see more details on Melva Gifford with the Story Artists Memorial.

Do you know a Story Artist who has passed on and want others to remember them? Memories? Pictures? You can submit names and memories of Story Artists who have passed on through our online form. 

I appreciate Melva Gifford, who knew how to get people to laugh including herself! She promoted creativity through her words, deeds, and guidance. I can’t wait to see her again, and fully expect her to say something like, “Well, there you are, kid!”

Melva Gifford still has a story. You have a story. We all have stories.

W = Wooden Sword (Jewish Folklore)

We are pleased to participate in the A to Z Blog Challenge. The Story Crossroads theme for this year is “Death & Defiance: Folk & Fairy Tales Unburied.”

About the Wooden Sword:

In Jewish folklore, a clever man faces Death itself—armed not with a real weapon, but with a fake wooden sword and quick thinking. Summoned before Death, he pretends to comply but uses humor, wit, and trickery to delay the inevitable. His boldness buys him precious time, showcasing how cunning can defy even the natural order.

Death is not defeated forever, but the wooden sword becomes a symbol: sometimes, the sharpest weapon is not steel, but spirit.

Symbolism and Themes:

Cleverness Over Power – The man doesn’t fight Death with strength, but with ingenuity.

Respect for Life – His delay isn’t selfish; it’s an assertion that life, even briefly extended, is worth fighting for.

The Power of Symbols – The wooden sword, useless in battle, becomes mighty through the courage and defiance it represents.

50-word-or-less summary:

When Death arrives, a man pretends his wooden sword is enchanted, claiming it can defeat even Death itself. He boasts, bluffs, and challenges Death to a duel. Cautious and curious, Death hesitates—giving the man enough time to slip away. His quick thinking wins him a precious, if temporary, reprieve.

Finding the Story:

Finding the Defiance:

The man does not deny Death’s power—he acknowledges it—but refuses to go quietly. His wooden sword is a gesture of hope, humor, and resilience. His tale reminds us that even when loss is inevitable, dignity and daring are still ours to wield.

He doesn’t fight. He jokes. He tricks. He lives.

Recommended Articles:

  • “The Importance of Storytelling” (ReformJudaism.org) by Rabbi Maya Y. Glasser – The Jewish tradition of storytelling emphasizes the importance of sharing all aspects of history, including uncomfortable or painful parts, to ensure future generations learn from the past, prevent the repetition of injustices, and resist the dangers of censorship and ignorance that can lead to societal harm.
  • “Its no myth: Jews, storytelling and the oral tradition” (The Jewish News) by Drew Himmelstein – Jewish tradition holds that the oral Torah, passed down through generations, laid the foundation for a rich collection of Jewish folktales, fairy tales, and mythology, which scholar Howard Schwartz has spent his career preserving, retelling, and exploring as an integral part of Jewish culture and identity.

More About Wooden Sword Tales (Bonus!):

  • Variations exist where the wooden sword becomes real—or appears so through illusion.
  • Some versions blend the story with the “appointment in Samarra” motif, where destiny cannot truly be escaped.
  • The sword is often carved hurriedly, emphasizing that ingenuity beats preparation in a crisis.
  • Storytellers sometimes link the wooden sword to broader Jewish values of questioning and challenging authority, even cosmic ones.

Thoughts?

If you stood before Death with only your wits and a wooden sword—would you stall, joke, surrender, or fight? Can humor be a form of heroism? Is buying a little more life a victory even when the end is sure?

Share your thoughts in the comments! While you enjoy this blog, Story Crossroads has year-round offerings. See our popular links and upcoming events at our One-Stop.

As for our past A to Z Challenges…

While you enjoy this blog, Story Crossroads celebrates the 10th hybrid summit & festival on May 5–8, 2025 – yes, in-person and virtual – and would be honored for you to join us.

Thanks to funding from the National Endowment for the Arts; National Endowment for the Humanities; Creative West; Utah Division of Arts and Museums; Utah Humanities; City of Murray; Zoo, Arts & Parks (ZAP) of Salt Lake County; Salt Lake City Arts Council; Utah Storytelling Guild; and people like you.