Cap’s Off to You! – Don Doyle (Posthumously) and Celebrating Story

Don Doyle was recognized as a 2004 recipient of the Oracle Award for Lifetime Achievement from the National Storytelling Network—one of the highest honors in the field. A Professor Emeritus of Theatre at Arizona State University, he spent decades shaping artists, audiences, and the very landscape of storytelling in Arizona and beyond. Yet more than titles or accolades, it is the chorus of voices rising in his memory that tells the truest story: Don Doyle was a mentor first, a friend forever, and a luminous presence in every room he entered.

Rives Collins saw Don Doyle as a friend and mentor and said, “Thank you, Don, for all you gave to the world; I am infinitely richer for having known you.” Donna Washington shared, “My storytelling grandfather has left the stage. He was a bright light in this world.” Across posts and messages came the same refrain: “Beautiful man. Immense loss. Incredible legacy.” “A true legend.” “One of the best humans I’ve encountered in my life.”

His students and colleagues speak of a generosity that shaped careers and lives. Katie McFadzen reflected, “I wouldn’t be in the business of [Theatre of Young Audiences]  if I hadn’t studied with Don Doyle at [Arizona State University].” Jenn Hartmann Luck remembered being an “unknowing beneficiary” of his work in arts education before later becoming a Don and Elizabeth Doyle Fellow: “His stories, his career, his championing of incredible storytelling for children—I was so honored to know him.” Dustin Loehr shared, “He taught me how to live my stories on stage, and tap dance through my challenges… Forever grateful for his love and guidance.” Over and over, artists credit him not just with technique, but with belief.

Many recall his gentle humor and steadfast encouragement. Patrick Moore remembered “his gentle humor and his commitment to excellence,” imagining him “up with the angels, telling them stories they thought they knew, in a whole new way.” Louisa Serrone Beilan wrote, “His unassuming demeanor was what set him apart. So humble and gentle but such a strong influence. His smile was a warm sunbeam.” In rehearsal halls, classrooms, festivals, and conferences, he was a steady presence in the corner, cheering others on—sometimes calling himself the “grandpa of the group,” always making space for the next generation.

And perhaps the most fitting tribute comes from the way he lived his art. In his own story, “Am I a Man?”, Don wrestled with tenderness, courage, and identity—questions that shaped not only his storytelling but his life in theatre, education, and community. From founding festivals to mentoring fellows, from directing productions to guiding tellers toward their own voices, he helped thousands “break a leg” and find their light. As one mourner wrote, “We stand on the shoulders of giants and he was one of those giants.” This memorial, then, is not an ending but a feast: a gathering of gratitude, laughter, sparkle-eyed memories, and stories still being told because Don Doyle first believed they could be.

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You can see more details on Don Doyle with the Story Artists Memorial.

Jordan Hill shared the story “The Ruby,” learned from Don Doyle—a fitting tribute to a man who so faithfully mentored, guided, and passed stories from heart to heart.

Do you know a Story Artist who has passed on and want others to remember them? Memories? Pictures? You can submit names and memories of Story Artists who have passed on through our online form. 

Don Doyle was my mentor through the J.J. Reneaux Mentorship Grant. I did not know him personally when I reached out—only that a trusted friend had recommended him. I took a chance. From the moment I met him in Arizona, he welcomed me as if we had known each other for years. There was no distance, no pretense—only warmth, curiosity, and generosity. Yes, he taught me craft. He guided me through techniques like French Scenes and helped me move past frozen or gilded moments in performance. But far beyond skill-building, he taught me how to be human. How to be kind.

His mentorship was never just about the stage—it was about the soul of the artist. When I presented my full one-hour piece on Hephaestus, he called and told me he wished he could fly from Arizona to Utah to be there. I was taken aback. That he would even consider such a journey for me spoke volumes about who he was. I may have had only a chapter of time with him, but I can only imagine the countless actors, storytellers, students, colleagues, and neighbors who carry entire libraries of memories in his honor. I look forward to seeing him—and Elizabeth—again after earth time.

Don Doyle still has a story. You have a story. We all have stories.

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